Final Study Guide Part 2

Final Study Guide Part 2

41.) Bill Owens, a small photographer for a newspaper in Livermore, Ca published a series of still photographs in a book called ___________.

A.) Our Town B.) Suburbia C.) Longings D.) Home

42.) Magazine advertising in the 1960’s began appearing in color and fashion photographers such as Horst P. Horst, Paul Outerbridge, and Richard Avedon leapt at he chance to use color to depict clothing and to glamorize settings.

A.) True B.) False

43.) Andreas Gursky created large-scale photographs studied with

A.) Bernd and Hilla Becher B.) Lewis Hine C.) Robert Smithson D.) Kiki Smith

44.) Multimedia artists in the mid-1970’s regularly depended on the camera to record their performance pieces and installations.

A.) True B.) False

45.) Felix Gonzales-Torres stacked inexpensive printed black and white prints on paper in a gallery and allowed visitors to take one.

A.) True B.) False

46.) Who collaged sequences of snapshots or Polaroid prints, creating a total picture that contained alterations of angle of views?

A.) Gerhard Richter B.) David Hockney C.) Yinka Shonibare D.) Sigmar Polke

47.) Genetic Self-Portrait is a series of photographs created using scientific imaging processes and platinum printing to produce pictures of the artists chromosomes. Which artist?

A.) Catherine Chalmers B.) Gary Schneider C.) Derek Johnston D.) Nancy Burson

48.) Suzanne Bloom and Ed Hill pioneers in digital imaging worked under the name ________.   A.) BLOW  B.) MANUAL C.) DIGITECH D.) OZONE

49.) Joan Fontcuberta invented the term “vrai-faux” and applied it to whom? 

A.) Pedro Meyer B.) Nancy Burson C.) Ansel Adams D.) Aziz and Cucher

50.) Who employed ideas from Surrealists such as Salvador Dali using digital techniques to soften and swirl forms in their images?

A.) Hulleah Tsinhnahjinne B.) Chen Chieh-Jen C.) Dyan Marie D.) Mariko Mori

51.) Who was the artist adapting famous paintings and photographs digitally creating self-portraits pursuing notions of gender and ethic identity.

A.) Mariko Mori  B.) Yasumasa Morimura C.) Dyan Marie D.) Keith Cottingham

52.) Image banks holding millions of pictures were established in the 1980’s, most famously Corbis and Getty.

A.) True B.) False

53.) Who photographed a series on homeless children and teenagers in Seattle, Washington.

A.) Chris Killip B.) Mary Ellen Mark C.) Donna Ferrato D.) Diane Arbus

54.) Which two artists does your book say used the camera to denote their dissatisfaction with society’s shallowness and not the need for social change?

A.) Chris Killip & Diane Arbus B.) Eugene Richars & Mary Ellen Mark C.) Gordon Parks & Hector Garcia D.) Robert Frank and Diane Arbus

55.) William Eggleston photographed the American South on a rambling tour. Who was inspired by his use of color to create a series about the failures of Britian’s social welfare system?

A.) Eugene Richards B.) Adam Fuss C.) Paul Graham D.) Andreas Gursky

56.) Who was the photographer behind a controversial collection of pictures and intimate stories called Cocaine True, Cocaine Blue?

A.) Susan Meiselas B.) Eugene Richards C.) Gilles Peress D.) Hector Ruiz

57.) In Living with the Enemy Donna Ferrato documented domestic violence and its aftermath.

A.) True B.) False

58.) In the 1980’s, Black and White work continued to be associated with seriousness of purpose, and with dedicated craft, even though one could argue that color film more accurately equates to the way we see our world.

A.) True B.) False

59.) A very poignant statement “Working in photography, one is forced to deal with issues of representation or risk promoting visually the ideals other people have placed in your head”. Who said this?

A.) Ed Rushca B.) Zhuang Hui C.) Jolene Rickard D.) Boris Mikhailov

60.) Despite his good works, this photographer, was the subject of two recurring questions –one concerning the implicit politics of his images, the other having to do with the formal qualities of his prints. This photographer focused mainly on people surviving day to day: physical laborers, refugees, victims of famines, and groups that migrate because of natural disasters. He also rejected of the use of color film, calling it a distraction. Who is he?

A.) Henri Cartier-Bresson B.) Gilles Peress C.) Sebastiåo Salgado D.) Andrea Gursky

  

61.) Thomas Ruff studied with Bernd and Hilla Becher.

A.) True B.) False

62.) Christian Boltanski created photo based installations and placed them in civic places.

A.) True B.) False

63.) Yale University is the home of the Cambodian Genocide Project.

A.) True B.) False

64.) Martha Rosler, Allan Sekula, and Fred Lonidier emerged as intellectual and visual leaders of a new social documentary in the mid-1970’s?

A.) True B.) False

65.) Who made political art in the form of three photomontage series called Bringing Home the War?

A.) Martha Rosler B.) Allan Sekula C.) Fred Lonidier D.) Peter Dunn

66.) Who wrote the essay “On the Invention of Photographic Meaning”?

A.) Martha Rosler B.) Allan Sekula C.) Fred Lonidier D.) Peter Dunn

67.) Who made the investigative photographic series The Health and Safety Game?

A.) Martha Rosler B.) Allan Sekula C.) Fred Lonidier D.) Peter Dunn

68.) Her series of black and white photographs called Untitled Stills seemed to be derived from 1950’s B-movie melodramas, film stills, and the photographs displayed in theater lobbies, Who is she?

A.) Judy Dater B.) Sally Mann C.) Cindy Sherman D.) Tina Barney

69.) Uta Barth creates fragmentary, fuzzy pictures that depict light and color punctuated by wisps of unidentifiable subject matter.

A.) True B.) False

70.) This photographer created portraits showing women comfortable with their own bodies. Who is she?

A.) Mary Ellen Mark B.) Cindy Sherman C.) Judy Dater D.) Corrine Day

71.) This sculpture artist turned photographer, initiated what might be called ephemeral sculpture or light performance pieces.

A.) Gabriel Orozco B.) Tokihiro Sato C.) Gregory Crewdson D.) Tim Head

72.) This photographer makes sexually charged work, characterized by a revealing flash and a palette of strong colors, and has been internationally influential in validating the use of photography as a diary of daily life.

A.) Doug Muir B.) Nan Goldin C.) Garth Amundson D.) Vik Muniz

73.) At first glace, this photographers work offers us an inside look at the private lives of the wealthy, who actively work to prevent themselves from being seen candidly.

A.) Radcliffe Bailey B.) Tina Barney C.) Corinne Day D.) Andreas Serrano

74.) Robert Parkeharrison’s work could be described as sacramental.

A.) True B.) False

75.) This photographer depicted close-up portraits of soldiers’ heads documenting the mental gravity felt by returning soldiers from Iraq after active duty.

A.) Tyler Hicks B.) Suzanne Opton C.) Alfredo Jaar D.) Youssef Nabil

76.) Mexican photographer Daniela Rossell documented the extravagant and conspicuous consumption of Mexico’s rich in her series, Rica y Famosas.

A.) True B.) False

77.) This Japanese photographer has recorded and circulated photographs of her everyday life since she was a teenager in the 1990’s.

A.) Hiromix B.) Hiro Sugamoto C.) Sonsi D.) Miwa Yanagi

78.) Anan Gaskell concocts dramatic moments filled with foreboding and hints of secret ritual.

A.) True B.) False

79.) This artist's images adapted from Google Earth’s Street View pictures explore what might be called the post-production ‘ready-made’.

A.) Damian Hirst B.) Craig Garrett C.) Doug Rickard D.) Ryan McGinley

80.) One of the most profound effects of the waning of analog photography and the rise of digital is the way in which the new technology has dematerialized photographs.

A.) True B.) False