Tuesday, April 11, 2017

Final Study Guide Part 1


Name:
Art 168- Photography A Cultural History – Final Study Guide Part 1

1.)                    Who is the first in recorded history to mention the simple principles behind the concept of camera obscura?
a.)  Mo Ti  b.) Aristotle c.) Alhazen d.) Shen Kuo

2.)                    Who creates the first permanent image using camera obscura?
                  a.) Alhazen   b.) Niepce c.) Daguerre  d.) Bacon


3.)                    What is the Title of the first permanent image using the camera obscura?
                  a.) The Open Door   b.) Self Portrait of a Drowned Man c.) Still Life d.) View from the Window at La Gras


4.)                    William Henry Fox Talbot had conceived fixing light – induced images as early as 1833, and had also worked at creating light sensitive paper and “fixing” the image by introducing what compound to stop the action of light?
a.)  Silver nitrate b.) Sodium chloride c.) Potassium iodide d.) Both b and c


5.)                    There was much controversy over Daguerre’s image making process after Arago’s first statement to the French Academy of Science on January 7, 1839 and many claims that this process had indeed been discovered by others prior to the announcement. Which person, according to our text, has a viable claim?
                  a.) Herchel   b.) Niepce  c.) Bayard d.) Talbot 


6.)                    With the patenting of both the Cyanotype, the Calotype and the Daguerreotype processes the transformation of photography from invention into a commodity with commercial promise had begun. Marrying the idea of Art and Science and resulting in the term “art-science”.  One of these artists used this most effectively to produce Cyanotypes of British and Foreign Ferns in 1854. Who was that?
                  a.) George Shadbolt   b.) John William Draper  c.) Leon Foucault 
                  d.) Anna Atkins 

7.)             The Calotype was the basis for _________________________.
                  a.) Modern photographic reproduction
                  b.) Turning negative images into positive images.
                  c.) Talbot to patent his processes.
                  d.) All of the above

8.)             Julia Margaret Cameron is most known for_________________________.
                  a.) Her slightly blurred focus
                  b.) Turning negative images into positive images.
                  c.) Photographing well known Victorian cultural figures
                  d.) a and c

9.)             The Valley of the Shadow of Death by Roger Fenton 1855 is an example of?
 a.) War  b.) Fantasy  c.) Documentation d.) a and c


10.)          Many women were employed as colorists, egg separators, laboratory assistants, print  cutters and print mounters in photography studios because “that is a field exactly suited to even the conventional notions of women’s capacity…”  a.)True b.) False


11.)          Who was one of the fist Latin American war photographers?
                 a.) Juan Garcia  b.) Estaban Garcia  c.) Felice Guerterez  d.) Pablo Sanchez

12.)          Not the first to photograph Yosemite Valley but was the best known and most influential for the time was_________.
                 a.) Timothy O’Sullivan  b.) Carleton E. Watkins  c.) Eadweard Muybridge d.) William Henry Jackson

13.)          The Tonnesen Sisters were best known for their work in what kind of photography?
                 a.) portraits  b.) advertising  c.) activism  d.) war

14.)          The invention of Dry Plates made photography faster and easier.
                 a.) True  b.) False

15.)          In 1839, exposures could take several minutes; by the end of the nineteenth century exposure time was reduced to________.
                 a.) 1/100th of a second b.) 1/500th of a second  c.)  1/5,000th of a second

16.)            Rotogravure is a printing process that allowed photographs and text to be intermingled.  a.) a.) True  b) False
17.)
Laszlo Moholy-Nagy (1895-1946) claimed that photography’s chief characteristic was light, and that artists should experiment with patterns of light and shade was best known for 
a.) his work at Bauhaus  b.) the photogram  c.) being a painter and sculptor 
d.) All of the above
18.)
Who was the leading proponent of Faktura: the idea that an artist should discover a medium’s distinctive capabilities by experimenting with its inherent qualities.
a.) Aleksandr Rodchenko  b.) Martin Munkacsi  c.) Gustav Klutsis  d.) Erich Salomon
19.)
The Dada manifesto of 1918 written by Tristan Tzara would not include this artist:
a.) Ansel Adams  b.) Christian Shad  c.) Hannah Hoch  d.) Raol Hausmann
20.)
Andre Breton’s Surrealist Manifesto published on October 15, 1924 announced the primacy of the irrational and the belief in a truth beyond Realism.  Which of these is not considered a Surrealist artists?
a.) Man Ray  b.) Brassai  c.) Claude Cahun  d.) Andre Kertesz d.) August Sander
21.)
The members of Group f.64 dismissed Pictorialism, despite the fact that several of its members had practiced it, and urged the exploration of camera vision.  Which of photographers were members;
a.) Imogen Cunningham b.) Willard Van Dyke  c.) Ansel Adams d.) Edward Weston  e.) all of the above

22.)
Who produced the photograph Migrant Mother that became the national icon of the Depression?
a.) Dorthea Lange  b.) Walker Evans  c.) Paul Strand, d.)Alfred Stieglitz
23.)
The "Family of Man" exhibition was held at the Museum of Modern Art in New York and expressed unity among the world's people that went beyond political differences, and it phrased nuclear war as the greatest threat to global understanding. Who curated this show?
A) Robert Capa
B) Henri Cartier-Bresson
C) Edward Steichen
D) John G. Morris
24.)
The "Family of Man" exhibition set up an overall dynamic programming of ideas and emotions to the exhibit spaces. Barbara Morgan, photographer,  thought the show so original that it needed a new term, "photographic mosaic".
a.) True  b) False
25.)
Cuban photographer Albert Diaz also popularly known as _____________ , photographed Ernesto "Che" Guevara (1928-1967)
A) Dia
B) Korda
C) Al "Che"
D) All of the above
26.)
Nacho Lopéz and Héctor Garcia were both photographers depicting everyday life in Mexico, either city or country life.
a.) True  b) False
27.)
Nacho López, Héctor Garcia, and Graciela Iturbide all studied with photographer Manuel Álvarez Bravo who would say that Surrealism was a minimal influence on his work but more importantly it was his friend ship with _________________ that allowed him to view Edward Weston's photographs.
A) Henri Cartier-Bresson
B) Tina Modotti
C) Diego Rivera
D) José Clemente Orozco

28.)         Peter Magubane, in order to make photographs of the 1956 trial of some apartheid protesters hid his camera in what so he could secretly photograph people as they arrived.
A) A Bag
B) A loaf of Bread
C) A hat
D) A coat

29.)         Shomei Tomatsu's work was in the for front of the trend in postwar Japan toward subjective documentary, in which the presence and worldview of the photographer fuse with the subject matter.
a.) True  b) False

30.)         Abstraction and Surrealism in photography has many roots. Aaron Siskind an active member of the Photo League started photographing abstract qualities in nature and the built environment in the 1940's. Lotte Jacobi created "photogenics" in the 1950's. Jerry Uelsmann created illusionistic images in the 1960-70's. A.) True
B.) False


31.)         Who did Jerry Uelsmann study with that taught him the fine points of printing?
A) Minor White
B) Robert Frank
C) Tom Englehardt

32.)            The term snapshot aesthetic refers to a trend within fine art photography in the USA from around 1963. The style typically features apparently banal everyday subject matter and off-centered framing.
Which of the photographers fit this description?
A.) Harry Callahan
B.) Robert Frank
C.) Arthur Fellig (Weegee)
D.) Roy DeCarava
E.) All of the above

33.)         Among the new social landscape image-makers were Garry Winogrand and Lee Friedlander in the 1960's.
A.) True
B.) False

34.)         Diane Arbus was a student of Lisette Model and her photographs of marginal people were symbols of her own psychological fragility and trauma.
A.) True
B.) False

35.)         Which photographer railed against color film saying "there are four simple words which must be whispered: color photography is vulgar"?
A.) Edward Weston
B.) Walker Evans
C.) Deborah Turbeville
D.) Bert Stern

36.)            German photographers Bernd and Hilla Becher are famous for photographing what subject repeatedly?
      A.) Factories
      B.) Gas Towers
      C.) Water Towers
D.) All of the above

37.)            William Wegman became famous for the numerous photographs he took of Man Ray.
               A.) Man Ray the man
               B.) Man Ray the dog
               C.) both A and B

38.)            John Szarkowski, the former director of the Photography Department at New York’s Museum of Modern Art had the nickname “the czar” because of his ground-breaking exhibitions.
               A.) True  B.) False

39.)             Robert Frank is known for his book of photographs called
               A.) The Americans
               B.) The Venetians
               C.) The Badlands
               D.) The Homeless

40.)            Lucas Samaras took Polaroid pictures and manipulated the emulsion with his fingers or mechanical aids
A.) True
B.) False

Final Study Guide Part 2


Final Study Guide Part 2

41.) Bill Owens, a small photographer for a newspaper in Livermore, Ca published a series of still photographs in a book called ___________.
A.) Our Town B.) Suburbia C.) Longings D.) Home

42.) Magazine advertising in the 1960’s began appearing in color and fashion photographers such as Horst P. Horst, Paul Outerbridge, and Richard Avedon leapt at he chance to use color to depict clothing and to glamorize settings.
A.) True B.) False


43.) Andreas Gursky created large-scale photographs studied with
A.) Bernd and Hilla Becher B.) Lewis Hine C.) Robert Smithson D.) Kiki Smith

44.) Multimedia artists in the mid-1970’s regularly depended on the camera to record their performance pieces and installations.
A.) True B.) False

45.) Felix Gonzales-Torres stacked inexpensive printed black and white prints on paper in a gallery and allowed visitors to take one.
A.) True B.) False

46.) Who collaged sequences of snapshots or Polaroid prints, creating a total picture that contained alterations of angle of views?
A.) Gerhard Richter B.) David Hockney C.) Yinka Shonibare D.) Sigmar Polke

47.) Genetic Self-Portrait is a series of photographs created using scientific imaging processes and platinum printing to produce pictures of the artists chromosomes. Which artist?
A.) Catherine Chalmers B.) Gary Schneider C.) Derek Johnston D.) Nancy Burson

48.) Suzanne Bloom and Ed Hill pioneers in digital imaging worked under the name ________.   A.) BLOW  B.) MANUAL C.) DIGITECH D.) OZONE

49.) Joan Fontcuberta invented the term “vrai-faux” and applied it to whom? 
A.) Pedro Meyer B.) Nancy Burson C.) Ansel Adams D.) Aziz and Cucher

50.) Who employed ideas from Surrealists such as Salvador Dali using digital techniques to soften and swirl forms in their images?
A.) Hulleah Tsinhnahjinne B.) Chen Chieh-Jen C.) Dyan Marie D.) Mariko Mori

51.) Who was the artist adapting famous paintings and photographs digitally creating self-portraits pursuing notions of gender and ethic identity.
A.) Mariko Mori  B.) Yasumasa Morimura C.) Dyan Marie D.) Keith Cottingham

52.) Image banks holding millions of pictures were established in the 1980’s, most famously Corbis and Getty.
A.) True B.) False

53.) Who photographed a series on homeless children and teenagers in Seattle, Washington.
A.) Chris Killip B.) Mary Ellen Mark C.) Donna Ferrato D.) Diane Arbus

54.) Which two artists does your book say used the camera to denote their dissatisfaction with society’s shallowness and not the need for social change?
A.) Chris Killip & Diane Arbus B.) Eugene Richars & Mary Ellen Mark C.) Gordon Parks & Hector Garcia D.) Robert Frank and Diane Arbus

55.) William Eggleston photographed the American South on a rambling tour. Who was inspired by his use of color to create a series about the failures of Britian’s social welfare system?
A.) Eugene Richards B.) Adam Fuss C.) Paul Graham D.) Andreas Gursky

56.) Who was the photographer behind a controversial collection of pictures and intimate stories called Cocaine True, Cocaine Blue?
A.) Susan Meiselas B.) Eugene Richards C.) Gilles Peress D.) Hector Ruiz

57.) In Living with the Enemy Donna Ferrato documented domestic violence and its aftermath.
A.) True B.) False

58.) In the 1980’s, Black and White work continued to be associated with seriousness of purpose, and with dedicated craft, even though one could argue that color film more accurately equates to the way we see our world.
A.) True B.) False

59.) A very poignant statement “Working in photography, one is forced to deal with issues of representation or risk promoting visually the ideals other people have placed in your head”. Who said this?
A.) Ed Rushca B.) Zhuang Hui C.) Jolene Rickard D.) Boris Mikhailov

60.) Despite his good works, this photographer, was the subject of two recurring questions –one concerning the implicit politics of his images, the other having to do with the formal qualities of his prints. This photographer focused mainly on people surviving day to day: physical laborers, refugees, victims of famines, and groups that migrate because of natural disasters. He also rejected of the use of color film, calling it a distraction. Who is he?
A.) Henri Cartier-Bresson B.) Gilles Peress C.) Sebastiåo Salgado D.) Andrea Gursky
  
61.) Thomas Ruff studied with Bernd and Hilla Becher.
A.) True B.) False


62.) Christian Boltanski created photo based installations and placed them in civic places.
A.) True B.) False

63.) Yale University is the home of the Cambodian Genocide Project.
A.) True B.) False

64.) Martha Rosler, Allan Sekula, and Fred Lonidier emerged as intellectual and visual leaders of a new social documentary in the mid-1970’s?
A.) True B.) False

65.) Who made political art in the form of three photomontage series called Bringing Home the War?
A.) Martha Rosler B.) Allan Sekula C.) Fred Lonidier D.) Peter Dunn

66.) Who wrote the essay “On the Invention of Photographic Meaning”?
A.) Martha Rosler B.) Allan Sekula C.) Fred Lonidier D.) Peter Dunn

67.) Who made the investigative photographic series The Health and Safety Game?
A.) Martha Rosler B.) Allan Sekula C.) Fred Lonidier D.) Peter Dunn

68.) Her series of black and white photographs called Untitled Stills seemed to be derived from 1950’s B-movie melodramas, film stills, and the photographs displayed in theater lobbies, Who is she?
A.) Judy Dater B.) Sally Mann C.) Cindy Sherman D.) Tina Barney

69.) Uta Barth creates fragmentary, fuzzy pictures that depict light and color punctuated by wisps of unidentifiable subject matter.
A.) True B.) False

70.) This photographer created portraits showing women comfortable with their own bodies. Who is she?
A.) Mary Ellen Mark B.) Cindy Sherman C.) Judy Dater D.) Corrine Day

71.) This sculpture artist turned photographer, initiated what might be called ephemeral sculpture or light performance pieces.
A.) Gabriel Orozco B.) Tokihiro Sato C.) Gregory Crewdson D.) Tim Head

72.) This photographer makes sexually charged work, characterized by a revealing flash and a palette of strong colors, and has been internationally influential in validating the use of photography as a diary of daily life.
A.) Doug Muir B.) Nan Goldin C.) Garth Amundson D.) Vik Muniz

73.) At first glace, this photographers work offers us an inside look at the private lives of the wealthy, who actively work to prevent themselves from being seen candidly.
A.) Radcliffe Bailey B.) Tina Barney C.) Corinne Day D.) Andreas Serrano




74.) Robert Parkeharrison’s work could be described as sacramental.
A.) True B.) False

75.) This photographer depicted close-up portraits of soldiers’ heads documenting the mental gravity felt by returning soldiers from Iraq after active duty.
A.) Tyler Hicks B.) Suzanne Opton C.) Alfredo Jaar D.) Youssef Nabil

76.) Mexican photographer Daniela Rossell documented the extravagant and conspicuous consumption of Mexico’s rich in her series, Rica y Famosas.
A.) True B.) False

77.) This Japanese photographer has recorded and circulated photographs of her everyday life since she was a teenager in the 1990’s.
A.) Hiromix B.) Hiro Sugamoto C.) Sonsi D.) Miwa Yanagi

78.) Anan Gaskell concocts dramatic moments filled with foreboding and hints of secret ritual.
A.) True B.) False

79.) This artist's images adapted from Google Earth’s Street View pictures explore what might be called the post-production ‘ready-made’.
A.) Damian Hirst B.) Craig Garrett C.) Doug Rickard D.) Ryan McGinley

80.) One of the most profound effects of the waning of analog photography and the rise of digital is the way in which the new technology has dematerialized photographs.
A.) True B.) False



Thursday, March 2, 2017

Recommendations and references made to further investigate:


Websites: 

Camera Obscura in SF:

Ben Mattison's 'The Social Constructionof the American Daguerreotype Portrait'

http://www.americandaguerreotypes.com/index.html

Talbots' The Pencil of Nature: 

Stieglitz:
Early work: Pictorialism
American Masters: Stieglitz

Steichen Speech

The Family of Man

The Invention of the Stereoscope

Muybridge's Zoopraxiscope

Frank and Lillian Gilbreth Study of Motion

Frances Benjamin Johnston

Gertrude Käsebier

In Depth History of Group f64

Imogen Cunningham

Edward Weston

Roman Vishniac

Margaret Bourke-White

FSA The Library of Congress

Learning from the FSA collection


MGM and George Hurrell

Dorthea Lange 

Ansel Adams

Henri Cartier-Bresson

Stills Enola Gay

National Archives

Lichtenstein and Warhol

Richard Avedon

Robert Adams on The Universe (talk)

Duane Michals

Magnum 

Lee Miller 

Minor White

William Eggleston

Pedro E Guerrero

Aaron Siskind (film

The Life of Gordon Parks

Mapplethorpe on Mapplethorpe

Garry Winogrand at Rice University (lecture)

Andreas Gursky

Hiroshi Sugimoto

Mary Ellen Mark

Felix Gonzalez-Torres and David Wojnarowicz


THE FUTURE THE NOW:
Center for Creative Photography:                                 Digital Technology and Phase One





ICP Photography and New Storytelling

Movies: 
The Girl with a Pearl Earring

Fur: An Imaginary Portrait of Diane Arbus

Finding Vivian Maier

Bill Cunningham New York

Monk with a Camera

Everybody Street

Through a Lens Darkley 

Lee Miller: Her Many Lives 

Games: 
Step into 1870 and have your portrait taken or play at being the photographer:
http://www.mccord-museum.qc.ca/en/keys/games/16









Tuesday, January 10, 2017

Syllabus with journal


Other questions to consider:
 Are there clues in the image that suggest when and where this photograph might have
been made? Describe.
 Can you tell how the photographer feels about this subject? If so, how?
 If you are looking at multiple images by one artist, consider what they have in common.
How do they differ? How do they function together?
 How would you describe this artist’s style? Is there certain subject matter that the artist
seems drawn to? Are there techniques or aesthetics that he or she seems to use often?
 What do you know about the maker of this image? What do you know about the cultural
or historic context in which this work was made?
 What else might it be useful for you to know in understanding this image?
 Does this work connect to your life or experiences in any way?

Vocabulary: 
Line: A mark that connects 2 points and is greater in length than in width
Shape: A closed line creates this. These are 2D, flat and vary
Form: A 3D shape that expresses length, width and depth
Value: Defines the lightness and darkness of an object or area. Every color has one of these.
Color: This represents the wavelengths of white light reflected off objects
Space: The area between and around objects - real ___ is 3D. The feeling/illusion of this can be created in 2D artwork
Texture:  A surface quality that can be seen or felt - rough, smooth, hard, soft
Balance: The distribution of the visual weight in a composition to achieve a sense of stability
Unity: Arranging the elements of a composition so that they hold together with a sense of completeness
Emphasis: The part of the composition that catches the viewer's attention, differentiating the more important from less important parts of the piece
Contrast: Refers to differences in values, colors, textures, and other elements to achieve emphasis and contrast
Pattern: The repetition of an object or symbol all over the artwork. This may be achieved by the repetition/combination of lines, colors and shapes
Movement: The path the viewer's eye takes through the composition
Rhythm: Created when one or more elements of art are use repeatedly to create a feeling of organized movement
Rule of Thirds: Technique, which guides you in creating an interesting composition. Rule of thumb taking a rectangular shape and dividing it into thirds
Still Life: A composition of inanimate and different objects (most likely related by a theme)
Proportion: The relation between elements and a whole
Linear Perspective: The appearance of things relative to one another as determined by their distance from the viewer (tricks the eye into seeing depth on a flat surface)
Atmospheric Perspective: Backgrounds seem fuzzy, gray and distant. Colors are not as vibrant as in foreground. It is a useful artistic tool for showing distance, especially in a painting
Positive Space: Space of content of an object or person
Negative Space: Space of content of background or blank space
Foreshortening: Where an object in the foreground is drawn dramatically shorter than it is in real life to show depth

Horizon Line: Actual or imaginary line in art representing the point at which water or land seems to end and the sky begins
Bird's Eye View: Line of sight/horizon line is above object
Worm's Eye View: Line of sight/horizon line is below object
Person's Eye View: Line of sight/horizon line is equal to viewer's eye
Overlapping: When one object sits on top and partially hides another object
Diminishing Size: Objects in the background appear to be very small, especially the farther away it is
Chiaroscuro: In Italian, it means light and dark. It is a technique showing strong shading with a great deal of contrast between lights and darks

week 1

1.) …photographs open doors into the past but they also allow a look into the future.
~Sally Mann

2.) If I could tell the story in words, I wouldn't need to lug around a camera.  
~Lewis Hine